Bauhaus

“Our guiding principle was that design is neither an intellectual nor a material affair, but simply an integral part of the stuff of life, necessary for everyone in a civilized society.” - Walter Gropius

In 1919, a school of design, applied arts and architecture was founded by the architect Walter Gropius in Weimar, Germany which was known as Bauhaus that means ‘building houses’. Until 1925, the school was based in Weimar. But in 1932 it was moved to Dessau than finally Berlin. In 1933, Bauhaus was forced to closed down because of the under pressure from the Nazi political party. Bauhaus favored the simplified forms, the rationality, the functionality and the idea that the mass production could live in harmony with artistic spirit of individuality.

Beside Walter Gropius, there were other designers who assist Gropius, such as Laszlo Moholy- Nagy and Herbert Bayer, which they made important contributions to the development of graphic design.

Herbert Bayer

Herbert Bayer was a student which he studied under Kandinsky and Moholy-Nagy and later was a teacher at the Bauhaus. He worked in so many subjects including sculpture, painting, typography, advertising and architecture. He created the Geometric ‘universal’ alphabet in 1925 which proposed the abolition of capitals. He became the head of the new typography of the new typography department within Bauhaus. Late in the 1920’s he became the director for the Vogue Magazine.

His designs show:

• Direct and simple typography
• Non-decorative
• Strong horizontals and verticals
• Clarity

Bauhaus movement Influence

  

Nico Schrier poster

The Bauhaus school left a huge impact especially after World War 1 on a number of graphic designers even in the political sphere. Nico Schrier is one of the examples that was influenced by the Bauhaus as he designed a poster for the 1933 Netherlands' election in which a man was depicted calling his soldiers or comrades to vote red which stands for 'The Netherland's Social Democratic Workers' Party.

Obama Berlin Poster

Many contemporary designers which were influenced from the Bauhaus maintained the same designs that were produced in the 1920s and the 1930s by the Bauhaus. This can be seen in this design (left) as similarities can be observed in the bold sans-serif typefaces and also in the diagonal lines and lettering. These variances that were present in the Bauhaus works and now in the works of those inspired designers tend to increase the dynamism of the composition.

References 

Designhistory.org, (2014). The Three Bauhaus Locations. [online] Available at: http://www.designhistory.org/Bauhaus_pages/BauhausOrigins.html [Accessed 6 Dec. 2014].

Flask, D. (2014). Herbert Bayer : Design Is History. [online] Designishistory.com. Available at: http://www.designishistory.com/1920/herbert-bayer/ [Accessed 6 Dec. 2014].

Flask, D. (2014). The Bauhaus : Design Is History. [online] Designishistory.com. Available at: http://www.designishistory.com/1920/the-bauhaus/ [Accessed 6 Dec. 2014].